Monday, 24 June 2013

Bibliography

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Elizabeth Couzins-Scott. (2012). NA. Available: http://www.axisweb.org/seCVWK.aspx?ARTISTID=5321. Last accessed 12th April 2013.

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Unknown. (2013). KTZ. Available: http://www.londonfashionweek.co.uk/designers_profile.aspx?DesignerID=1047. Last accessed 29th April 2013.

Evaluation

Discovering an urban explorer online (these are people who find and explore derelict buildings), who was based in Preston, I was able to discover some new buildings that I have never seen before. Looking through his collection of photographs the brewery at Lancaster stood out to me and wasn’t out of my reach. From then I contacted him to find out its location and more about the building itself, he was very wary of telling me anything until I showed him some of my previous work, urban explorers like to keep their finds private. This is what started off my whole FMP project.
Initially in my proposal and samples I was working with cask ale logos and signs, but after trialling this for about a week I decided that it would be far more interesting to relate my work directly to the building. I had used stencil print of text from these beer mats to create typography pieces, then realised that the typography in the brewery could be used in a similar way.
In my first samples I used imagery of the outside of the building and stencil printed handmade stencils over the top, this was extremely time consuming and would not have worked on a larger scale. To resolve this I made a select few stencils and created a print screen full of text from my primary photographs. This meant that I could produce pieces quicker and experiment with my designs and layouts. I had then decided for certain that I wanted text to feature on my garment.
Originally I had wanted to design a coat that was loose fitting with no sleeves, but after altering a pattern and playing around with the fit, I realised this was not within my reach in the time scale provided. This decision meant that I had to think of something that would be manageable within the time period. My tutor and I searched through books to try and find a simple, unfitted garment. This decision didn’t come without complications either as it was a womens pattern that I had to fit to a male figure, this meant altering the armholes and overall fit, this took me longer than I anticipated. Producing a mock up, pinning pattern pieces together, I was able to adapt the pattern further to the two models I wanted to use. If I was to go back to this stage in my process I would have allowed myself more time so that the garments were a better fit, I believe that the armhole shape isn’t as successful as it could have been had I had more time.
Playing around with screen printing techniques and digitally printing, I decided that I wanted two garments, one of which to contain some imagery of the building and the other a solid typography piece. These would be both to preserve the history of the building and show what can be hidden behind an exterior. My aim was to record a time in history in the form of fashion, showing people something which had previously been hidden from people and unknown to even those who lived in Lancaster. Visiting the brewery three times I was able to get a feel for the building and the love and care that had once gone into maintaining it, it was the livelihood of its workers and it seems important to preserve this feeling.
Towards the end when I was printing the final pattern pieces for my garments, I don’t believe I allocated enough time as some days I was in from nine in the morning to eight at night printing, this is because I only had one copy of each screen, the screen had to be washed and dried before I could use it again. I didn’t take into consideration that there would only be one print table available and that I would only be able to work on one garment at a time. Whilst sewing up the garments I realised that the discharge print dress had actually shrunk whilst washing it and therefore I could not use the same measurements for the pleats in both garments, this added time as I had to work out each one separately.
The day came when my garments were finished and the photoshoot was imminent, I had previously booked the slot for the studio and knew the garments had to be finished for this time. Using props I tried out many different situations on each model and garment, all together I had around one hundred photographs to choose from, this was far better than having a select few as I had tried out different positioning, meaning I was able to choose the most successful. I am glad that I was able to take plenty of photographs otherwise I might not have ended up with the best I could get.
Installing my work for exhibition created a challenge in itself, I asked to be allocated a booth, then had to design how I wanted the screens laid out. Deciding on quite an open booth instead of it having three sides and being closed in, gave me more space to play around with the two garments. I initially thought that I wanted one garment on a mannequin and then one hung on a coat hanger, trying this out in the space provided it just wasn’t working right. This made me rethink the layout and deciding two mannequins would show off the garments better. If I had been able to access a male mannequin then this would have been ideal, having one garment on a female body and one on a male, but this was unavailable, so I made a compromise and had two female mannequins. It took around a week to decide on the final layout of my display, moving items around to find the most successful position, I am glad I had allowed time to do this, it seemed important that the garments should be laid out in the best possible way. I believe that my display shows a passion for the building, a personal feeling about the location and I am glad it shows this.
Having a critique with my peers and tutors allowed me to describe my work and why I had created it. They also came up with the same issues as me around the mannequins and that it would have been better displayed on a male and female body shape, however, they said that my photoshoot had displayed that the dress was intended for both sexes. They liked how I had included the props from my photoshoot in my display and that it had tied the photographs to the garments. It was exciting being able to explain my work and the concepts behind it.

During my sampling process and construction of the garments, there are many things which could have been improved, however, I believe my photoshoot and exhibition are very successful and that I allocated the correct amount of time for the finishing touches. My time management during the sampling stage was not as good as it should have been, I will vastly improve this on my next project. 

Proposal

Beginning FAD, I was able to experience different pathways and ways of working. This allowed me to work with students from varied disciplines and art backgrounds. Acquiring new skills, my work is continually developing, using media that I have never had the opportunity to use before.
This year I was able to make my first collection of garments, I believe them to be very successful. I have worked hard throughout the year so far and this dedication has paid off meaning I have been selected for a place at University. During this process I developed ideas for a future project working with the idea of derelict buildings, with the final project I intend to incorporate this theme exploring its full potential.
 After searching blogs and websites for buildings of interest, I found an ‘urban explorer` based in Preston. A brewery in Lancaster was particularly appealing to me; after initial contact and portfolio artwork submission, I was eventually told of the location and given the opportunity of a guided tour. Expecting it to be fairly derelict, since its closure around 1997, the brewery was surprisingly still intact. I now have many primary photographs to work from, using typography and beer memorabilia, but also the found objects. My photographs form the initial basis of my designs, from surface design to construction; they will be what I work from and heavily influence my work. I have already conducted artist research; some are more fine art based, some textiles and some fashion designers. Artists such as Jeff Keen and Elizabeth Couzins-Scott, fashion designers and houses such as KTZ and Aitor Thorpe; will all influence the work I produce.
In my outcomes for the exhibition I intend to create a minimum of one complete garment that focuses around the idea of androgynous fashion and construction techniques.  The sampling and development will use structured masculine features, with aspects of suit style like that of KTZ. The garment will be  worn by either a male or female and will be fitted to neither. I feel that this is a modern outlook on the world of fashion, that clothing can be shapeless but stylish at the same time.

Constant evaluation is essential to improve and work with new ideas which will be present in the blog and occasionally my sketchbook. I will be looking for ways to improve my samples throughout the development of ideas and investigate the potential in the techniques I use. By critically evaluating designs and samples I can work to the best of my ability. Peer evaluation can alter and adapt designs, as they suggest new artists and designers to look at. Tutorials are a useful way of gaining feedback and discovering new ideas for sampling and design, they often suggest artist and designers to further improve work and support my final outcomes and exhibition of fashion. 

Saturday, 22 June 2013

Selling items in the shop

I have created frames to sell within the shop, these are signed examples of my work. I will be working within the shop to sell mine and others work and talk people around the exhibition if they want it.


Thursday, 20 June 2013

Exhibition night

I was extremely happy with the overall success of the night, our show brought plenty of people in, including art professionals. My area attracted many people and I was there to discuss and explain my work. People were interested in my themes and the androgyny theme caused many raised eyebrows, I was able to explain that I wanted to test peoples attitudes and dare to test how people feel towards it. It was a brave move and feel that once explained many people accepted my ideas. There was plenty of interest in the abandoned brewery and how I had come to find it, the overall night was a great success and I am happy with the interest my display attracted and that I was able to talk to people about my work, I have never been given the opportunity to do this before.





Monday, 17 June 2013

Frames have arrived

Whilst I was away the frames have arrived and my plinth is in place. I am very happy with the overall look of my space, but want to make a few changes and tweaks just before the exhibition.



Tuesday, 11 June 2013

Exhibition Space

I have now decided that instead of having one mannequin with a garment on and one hung on a coat hanger, I wanted both garments on mannequins. I think this does the garments the most justice and shows them on a figure. I have decided on the arrangement of the photographs, working with the props that each photo contained, this layout is the one I believed worked the best. I am happy overall with my display, but am still waiting to get the plinths to stand my mannequins on.






Monday, 10 June 2013

Arranging Photographs

As part of my display I wanted 4 of my final photographs up, but could not decide which order I wanted them in. Not having the frames back from the framers meant that I could not do this with the actual photos. I decided to print the images off the same size as the frames and arrange them within my area to decide upon the arrangement.




Thursday, 6 June 2013

Finished decorating my space

I have finished painting my space and have clipped lights up ready for the show. However me and Jamie have agreed that if we can sort better lighting out then we will. I have placed a mannequin in the area to see how it feels and how to use the space. I have decided that I would prefer the mannequin to be raised up by a plinth to get it off the floor and up to eye level as much of the detail is along the bottom.



Tuesday, 4 June 2013

Painting my Area

Before I was assigned an area I was painting general areas around the exhibition. Jamie and Jo managed to build a specific booth for me, however the layout didnt feel right when it was up, it was very closed in and we felt it should be opened up. By moving the display boards around I was able to achieve the open feeling desired. Once this area was built I focused on filling, sanding and painting my exhibition space as I wanted it to be done to my standards, once the first layer of paint was on and drying, I continued with other parts of the room.



Thursday, 23 May 2013

Final Photo Shoot

Today I have been able to take images of my two final garments, I am extremely happy with the results, working with the WW2 theme that I found through the brewery I have used props that relate to this. 
Simple studio shots make the most of the garments and show them off in the simplest form. I didnt want to do anther location shoot as I think this could have taken the eye away from the garments. I have used a very simple pose and both the male and female models have posed in the same position. 







Behind the Scenes of the photoshoot

Today was the day I had booked the studio to take professional images of my garments on models. I wanted to photograph and design the shoot myself so that all the work displayed at the exhibition was my own. Taking photos and playing around with the images was good fun and we were able to use different combinations of props within the shoot. I wanted the pose to be very simple to show off the garments the best I could and so that the series of four images I was displaying at the show would all compliment each other. Managing the shoot was tricky at times as I was the one making all the decisions, but was also taking the photographs, however, the experience was enjoyable and the outcomes are amazing.







Wednesday, 22 May 2013

Finished black dress

After constructing the black dress, I am impressed how they have both turned out and look like part of a collection which was my aim.


I am excited for tomorrows photoshoot and have ensured that all props are in place and ready for the afternoon, I have scheduled with both models to meet at 12 so that the shoot can get under way quickly. The photography studio is booked and I am guaranteed my place.

Tuesday, 21 May 2013

Construction of black dress

I have begun to construct the black dress. The fabric is tricky to work with and I have had a few problems trying to get it to work. But I have successfully put together the top part of the dress including the binding around the armholes. It is looking good at the moment and I am hoping it will look as good once I've finished.
I have yet to install the zip into the back of the dress and attach the bottom, I am currently working with the positioning of the pleats around the dress. Trial and error is the best way to figure out where the pleats are ideal. Adapting the pattern has meant that I am unable to use the pleats and lines suggested by that, this has made it slightly more tricky. Unfortunately the black fabric has shrank a little since washing it, meaning the pattern pieces were all slightly smaller than the cream one, this has meant that I cannot use the same measurements for pleats.
It has taken a little longer than I initially anticipated, but will be finished completely for my photoshoot which is scheduled for Thursday afternoon.


Monday, 20 May 2013

Finished cream dress

I have finished making the cream dress and have put a belt on it to pull it in at the waist. Here it looks slightly feminine, but I am convinced that in the photoshoot, when modelled on a man that it will fit with my androgynous theme.
The hardest part of the construction was placing the zip in the back. It runs a long way down and is designed to be hidden. Lining up all the seams was a challenge, taking time and patience to ensure the final look was to a high standard. I am going to move straight onto constructing the black dress, with more experience of how the pattern works, it should be easier to figure out. I have decided to leave the bottom un-hemmed to let the threads dangle down, giving a distressed feel like that of the building.

Second dress construction

I have started to construct my cream dress. This involved sewing all the front and back panels together and neatening the armholes with binding. Unfortunately there was none of the digitally printed fabric left to bind the armholes which was not ideal. I have improvised by using plain calico to tie the top with the bottom of the garment. The fabric isn't as flexible as I wished for garment creation, but hadnt realised this before the beginning of construction, this was an error on my part and ideally I would have used thinner calico. I have to organise the positions of the pleats yet which is proving a challenge, but they are a crucial part of the shape of the dress and how it falls, so I want to take time and care over them to make sure they are exactly right.

The collar has has interfacing placed on the back so that it keeps its upright position and stays shaped. This is an important step to keep the shape of the dress. The pattern contains brief instruction, but I have figured out most of the pattern myself as I have adapted it to fit my needs, and this slightly alters the instructions. I am sure that this will be finished by the end of the day.
Front
Back

Friday, 17 May 2013

Screen printing my final dress

Using special ink and a personalised screen I was able to screen print the text rather than stencilling it on. It ensures less mistakes and is more precise. It took until 8 at night to do my negative prints, solidly working all day, but less time to do my cream dress as i was more used to printing the text without blocking the screen. One the screen is blocked the ink wont press through and it has to be washed, this is frustrating when printing large pattern pieces. I enjoyed printing and believe the pieces of the dress have been done to a high standard. A few parts went wrong and full pieces had to be redone, but I wanted to ensure that each part was done the best I could.



Thursday, 16 May 2013

Pinned up dress

Ive only pinned it together at the moment, but you can see the way it will look when its sewn together. I am pleased with the outcome and am excited to sew it all together. After pinning it on to the mannequin today, I was then able to over-lock the edges to ensure no further fraying occurred on this fabric. After it had been washed the fabric unfortunately shrank and frayed.
I still have to decide where I want the pleats and how the dress will fall, I know that I want structured pleats as a pose to gathering as this adds the much needed masculinity to the garment.




Wednesday, 15 May 2013

Printed Pattern Pieces

Using special fabric and discharge screen printing I have been able to effectively bleach the colour our of the black fabric. The discharge ink attacks the dye molecules of the fabric and  alters the colour. It took a whole day from 9am-8pm but it was well worth it. I then steam ironed the fabric to chance the colour and washed the excess ink off. I will be making all these pattern pieces into my garment, but before that I have to overlock the seams. The effect is unusual and I really like the way it has turned out.


Wednesday, 8 May 2013

Digitally printing my fabric

After experimentation with screen printing on top of my digital prints I have decided that for the top of my second dress I will use a busy digital print using an image from the brewery. By layering the image up on the programme for the digital printer I have been able to create my own design on the fabric using my primary photograph below. I want to experiment with putting text over the top of these and see what works best.